{"id":1999,"date":"2018-12-17T17:57:04","date_gmt":"2018-12-17T17:57:04","guid":{"rendered":"http:\/\/research.shca.ed.ac.uk\/honour-in-greece\/?page_id=1999"},"modified":"2024-04-28T10:23:13","modified_gmt":"2024-04-28T09:23:13","slug":"publications","status":"publish","type":"page","link":"http:\/\/research.shca.ed.ac.uk\/honour-in-greece\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"
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Publications<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>

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This section provides a reverse chronological list of relevant publications authored by the\u00a0<\/span>project members<\/a>, guests, and colleagues, along with abstracts and direct links to the publisher's website.<\/span><\/p>\n

The list is constantly updated - keep in touch!<\/span><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

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Zaccarini M. (2023), \"Ruling through Fear. Cyrus the Great in Xenophon\u2019s Cyropaedia<\/em>\"<\/a>, Klio <\/em>105.<\/h4>\n
This paper explores Xenophon\u2019s depiction of Cyrus the Great as a ruler in the Cyropaedia<\/em>. Xenophon\u2019s Cyrus is often regarded by the scholarship as an ideal, benevolent leader sincerely concerned with virtue, friendship, and honour-related dynamics. However, it is clear that Cyrus equally resorts to malicious and divisive means, employing psychological subjugation, fostering mutual rivalry among his friends, and weakening his subjects. His actions ultimately arouse fear, envy, and insecurity, as Cyrus displays some of the typical features of a tyrant. Xenophon possibly meant to show how Cyrus, by successfully balancing different and contrasting aspects, succeeded in maintaining power no matter the costs by \u2018domesticating\u2019 his subjects.<\/span><\/span><\/div>\n
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Full pdf available in Gold Open Access on the Klio<\/em> website<\/a>.<\/span><\/div>\n
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Keywords:<\/strong>phobos<\/em>; phthonos<\/em>; Leadership; Honour; Tyranny; Emotions<\/span><\/p>\n

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From:<\/strong> Emotion Review<\/em> 15.3 (2023)<\/a>. Special Issue on Contempt: Ancient and Modern<\/em><\/h4>\n

An introduction to a collection of nine papers on contempt, bringing contemporary philosophical approaches to the phenomenon into relation with its construction and presentation in the four classical cultures of China, Greece, India, and Rome. The introduction offers a brief summary of the papers and places the issues that they explore in the wider research context of the historical and cross-cultural study of emotion.<\/span><\/p>\n